Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales

ESDi · Universitat Ramon Llull · 2023 · Art & Curatorship

If gender theories have moved beyond rhetorical frameworks and political struggles to become philosophical positions in their own right, art offers a space in which their epistemological potential can be explored. This work examines the relationships between the present and its historical references.

Music and listening resist being reduced to a stable, autonomous field of study. This exhibition brings together the agents, spaces and institutions that shape artistic culture, often disconnected from their social and cultural contexts. It explores the relationships between technology and art, science and anthropology, ethics and aesthetics, approaching music as an anthropological expression of the bonds between human beings and their environments.

Media are not merely technical or technological tools; they also shape the ways in which knowledge is produced and understood. Music, in particular, can challenge established categories and open up new ways of thinking. Drawing on Deleuze and Guattari’s notion of the “tangle of aberrant lines”, music becomes a medium through which to question established ideas of beauty and explore forms of experience that exist beyond normative frameworks.

The question is not whether techno or punk can survive as fashion, but how they might function as aesthetic practices in the service of politics, philosophy and anthropology. By examining the networks of relations between human and non-human agents, we can better understand how aesthetic and political forms emerge and transform. Such an approach may offer new ways of thinking about coexistence beyond the human-centred perspective.

The aim is to approach art as a living, relational practice: one that engages with the public sphere and creates conditions for becoming a more autonomous subject. Art can thus do more than propose solutions; it can also make visible the problems that shape collective life.

Wall text — Dan Aparicio, ESDi, Barcelona, 18 January 2023

Role
Curator · Essay and curatorial proposal (MA thesis)
Programme
MA Digital Art & New Media Curatorship — ESDi · URL
Tutor
Óscar Abril Ascaso
Coordination & jury
Bani Brusadin · Clara Laguillo · Victoria Saco Monje
Artists
Arnau Sala Saez · Candela Capitán · Huaquian Zang · Lolo & Sosaku · Víctor Pallarés
Academics
Chantal Maillard · David G. Torres · Oriol Rosell · Óscar Abril Ascaso · Paul B. Preciado · Servando Rocha
Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales, ESDi · Universitat Ramon Llull, 2023. Dan Aparicio: Curator · Essay and curatorial proposal (MA thesis) (image 1)
Curatorial proposal
Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales, ESDi · Universitat Ramon Llull, 2023. Dan Aparicio: Curator · Essay and curatorial proposal (MA thesis) (image 2)
Daniel Spoerri, Eaten by Marcel Duchamp, 1964
Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales, ESDi · Universitat Ramon Llull, 2023. Dan Aparicio: Curator · Essay and curatorial proposal (MA thesis) (image 3)
Graphic score of “XIV piano piece for David Tudor 4” by Sylvano Bussotti, 1959 (based on his own drawing from 1949) — from “Rhizome”, Capitalism and Schizophrenia, Deleuze and Guattari
Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales, ESDi · Universitat Ramon Llull, 2023. Dan Aparicio: Curator · Essay and curatorial proposal (MA thesis) (image 4)
Curatorial proposal
Un martillo y mala hierba — Punk, techno y nuevos naturalismos relacionales, ESDi · Universitat Ramon Llull, 2023. Dan Aparicio: Curator · Essay and curatorial proposal (MA thesis) (image 5)
Curatorial proposal